Diane

Line and Wash

I often use line in my watercolour paintings, in the form of calligraphic marks towards the end, which I feel help bring the work to life. But recently I’ve rediscovered an interest in the actual process of line and wash, using either pen and ink or watercolour pencil and wash. In the effort to get

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Excitement in the Studio!

Yesterday I tried out something completely new and I realised how easy it is to become stuck in a rut when it comes to painting! I came across by chance on Facebook a group which was set up for people who paint in watercolour on CANVAS! I was amazed to think that you could do

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Close up with a Chaffinch

I was working on a YouTube video yesterday when suddenly there was a thud on the French door window next to my desk. I looked up, and to my dismay and despite the bird cutouts on the window to help prevent this, I realised that a small bird had mistakenly flown into the glass and

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The brusho brigade

The line between fine art and craft has long been a fuzzy one which continues to be blurred. The addition of salt and granulating mediums to watercolour paintings has been a borderline tactic which personally I mostly resist, preferring to get my effects through more traditional methods. The same can be said in my view

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Wet in Wet Advent Candle

This is a quick true wet-in-wet painting of a candle. What is Wet-in-Wet painting? When I studied anthroposophical (Waldorf) art when I was training to become a Waldorf School (Steiner School) teacher, we spent a lot of time painting wet in wet. It is the first painting method that is taught to children when they

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Painting a Crow

This is a realistic painting of a handsome black Crow. How do we paint the colour black? I remember reading somewhere many years ago that there was no such thing as the colour black, just the absence of colour where all light had been absorbed. For that reason, black would “contain” all colours, and modern

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Materials

Paper Most of my work is done on 140lb watercolour paper, of various brands such as Hahnemuhle, Fabriano, Arches, Saunders, Canson, Bockingford… you can see I am international in my paper choices! It will therefore vary in texture and colour slightly, but never in quality as I only use the best. I was lucky enough

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